Attendees included David Beinhart, Isabel Bleimeister, Mary Catherine (Casey) Devine, Ariel Hoffmaier, Amber James, Yong H. Kim, Kayla Lee, You Bin Maeng, Karen Nguyen, Ian Sears, Naomi Sternstein and Lauren Yan.
*Dusts off blog*
It’s been way too long since I last updated. So much has happened since, and I still can’t believe that my senior year is almost over. I’m definitely getting antsy for graduation, but at the same time, I do want these next few weeks to slow down a bit. Everyone has been asking me how I feel about graduating, and I didn’t know how to answer, but it’s finally starting to hit me that I won’t be walking this campus anymore, and I won’t be seeing all the familiar faces of classmates, professors and friends.
My thesis project has changed and grown beyond ways I could have ever foresaw. A part of me is excited to share it with others, whereas another part of me is completely terrified. It’s become something so close to me, and the thought of letting it out into the world makes me so nervous, I could throw up. I’m not scared about the judgment of others and whether they’ll think it’s good or not, but rather, I’m scared of putting these stories out there because they’re so personal to me. They’re not fiction anymore. They’re about my family.
This lack of updates from me has been because I went through period of time where I was struggling with my project. I lost faith in it. Over the summer, in the Dietrich Honors Fellowship program, I was working on a collection of fictional short stories surrounding the coming of age of a young Vietnamese-American boy. I had hoped to draw on my own experiences to craft these stories. It was exciting to see some of them come together, and I grew invested into the lives of these characters, but somehow, along the way, I lost the passion for it. Not because I didn’t believe in them anymore or that I thought what I was trying to portray wasn’t important, but because something about the project felt dishonest. And after talking about my lack of inspiration with my advisor, Jane McCafferty, we both came to realize that maybe it was because I wasn’t able to truly achieve the goal I had set out when I first wanted to pursue my honors thesis project. My goal was to portray an honest coming of age story, influenced by Vietnamese culture and values. But doing so through channeling all my emotions, experiences, and the experiences of those around me into these fictional characters felt inauthentic.
As I sat in Jane’s office, we talked about why I was inspired to pursue the theme of this project in the first place. And it was because I felt that the stories I had heard from my family and friends growing up wasn’t truly represented in literature. We talked about the experiences of my mother and my grandmother, about religion in Vietnam, about war, about violence, about daily life there, and how it was almost tragic that the amazing lives they’ve lived won’t necessarily get to be heard by others. They’re just normal people, and we tend not to focus on the stories of normal people’s lives, even though these normal people may have had extremely important experiences.
So, Jane encouraged me to tell that story. Write about my family. At first, I wasn’t excited. I was nervous. For one reason, it sounded incredibly self-indulgent, and for another reason, it felt too personal. If I wrote about my family, I would have to write about myself too, and I hated the thought of that. I definitely would consider myself more of a fiction writer, so writing about things that really happened and about real people I knew was so nerve-wracking. I felt such a weight on my shoulders to portray them in a way that was honest, and fair, but I didn’t know if I could handle that responsibility.
I started with small steps. Interview those around you, Jane had told me. Gather your inspiration, take notes and record your conversations, but don’t write anything just yet. Jane has always been great at keeping me calm throughout all my moments of anxiousness and insecurities, so I’m beyond grateful for that. I did as she had suggested and talked to those close to me. I found that it was my grandmother’s stories that truly reeled me in. I learned so many things about her life that she never told me before, that she never told anyone before. I felt inspired again. And I hadn’t felt so inspired to write in such a long time.
I had to race against the clock (and I still am! That deadline…) But I’m so happy to say that I’m actually proud of what I have accomplished. I’m proud that I wrote what I was scared to write. This collection of short stories I have put together documents my grandmother’s coming of age as a Vietnamese woman. The pieces within this collection touch upon the violence of the Vietnam War, domestic abuse, religion and discrimination against Amerasians, all through her perspective and personal experiences. The final project will hopefully take the form of a nicely bound book, so I can share it with others, but I truly hope that I can give her the first copy. The title of this collection is 9 AM, in honor of the conversations my grandmother and I had every week, at 9 AM. And when I told her that I was writing about her life, about so many intensely personal aspects of her life, I was afraid she would feel uncomfortable about it (understandably so). I was expecting a lot of questions, but the only question my grandmother asked was “Is it any good?” Haha, I sure hope so.
And even though the I’m not using any of the pieces I wrote in the summer, I don’t think of any of it as waste. I did at first. It freaked me out when I completely changed the direction of my project in the middle of my fall semester, especially when I already had completed a good chunk through the Summer Fellowship Program. But I knew that this project could have only become so important to me if I made that change. I don’t think of the time I spent over the summer was a waste. In fact, that time helped further develop my craft, read stories by other Vietnamese-American authors, and give me a space to be excited about other people’s projects and ideas. And I still am excited to see the final projects of all the other fellows. I am so incredibly grateful to the Dietrich Honors Fellowship Program because it allowed me to explore my own passions in such a safe environment. I don’t think my project could have grown into something that means so much to me if I didn’t start it as early as I did, if I didn’t have that time to be confused, to fail and to wander a bit.
As cheesy as this all sounds, it’s been a hell of a journey. So, for anyone that’s reluctant about whether they want to pursue their own honors thesis project or not, I’m a complete supporter for it. I want others to be able to have the fulfilling experience that I am lucky to have had. There’s almost no other better feeling in this world than that feeling in your gut that says “This is all actually starting to come together, and this might actually be good.” Despite all the stress, those fears and worries that come along with doing something like this, it’s worth it.
Eleven Dietrich College Honors Fellows are poised to begin their senior year with a head start on piloting psychological studies, conducting field research and laying the groundwork for film and writing projects.
Over the past three months, the fellows have examined citizenship and belonging in South Korea, the impact of La Loi Toubon on French nationalism and coming of age as a Vietnamese American, among other topics.
Recently, they presented their works-in-progress to each other and faculty members including their advisers and fellowship program directors Jennifer Keating-Miller, Brian Junker and Joseph E. Devine.
“This summer’s group was particularly impressive,” said Devine, associate dean for undergraduate studies in the Dietrich College of Humanities and Social Sciences. “While their topics were interestingly diverse, they displayed shared qualities of high enthusiasm, confidence and preparedness that served them well this summer and will surely continue to do so over the coming academic year.”
As always, summer breezed straight past me, and I can’t even believe it’s August. I’ve already switched into full denial mode where I refuse to think about how school is coming up so soon. With all the work I spent on my project over the summer, and time divided between friends and jobs, everything seemed to move by so quickly. But after each day ends, another begins. Another challenge to face along with failures and successes. As the sun sets on the summer behind me, it’s a bit sad and exciting. I have found confidence in my own writing and my own progress, no matter how fast or slow it comes. It will be exciting to see how my pieces will continue to grow and change during the fall.
Now, it’s time to switch gears and jump into Resident Assistant duties. I won’t have much time for a break with work starting for me on August 12, so I’m trying to enjoy the idle moments. With first-year students moving in soon and the whirlwind that is orientation week, time spent writing by myself will be a luxury. I’ll miss these quiet moments, living in the world of my characters with only their voices to fill my skull, but I’m ready to embrace change, and both the highs and lows that come with it.
I’ve always been more of a planner than a “fly by the seat of my pants” type of writer. But what I’ve been trying to do lately is mix up my writing process a bit. Instead of meticulously plotting out the events of a story, what’s been freeing and productive is just writing without even thinking. However, for someone like me who over-analyzes things, I sometimes get stuck at a blank page without an outline to follow.
My adviser, Jane McCafferty, has been helpful in giving me simple prompts or details to include in my story, possibly sparking a creative idea. This has worked really well. It allows me enough freedom to do what I want while also giving me a place to start. She’ll just give me a simple prompt like “Write me a story where a character takes home an injured animal and the events that ensue.” And then, I’m off on my way.
It’s been a lot of fun getting to actually explore the world and characters that I’ve created without thinking about creating a neat and tidy ending or making a certain “point.” The entire story might be awful in the end, and though it will get heavily edited to the extent that maybe only a few original sentences remain, I think I’ve grown comfortable with the idea that writing is a continuous process. By allowing myself to truly explore during this process, I’ve led myself down certain paths I may have never considered, plot-wise and character-wise. My story may start out following one character when eventually, I find that the plot has led me toward his brother’s story instead. That’s a great and unexpected surprise. Hoping to strike a pot of gold, I’m trying to meander and get distracted by side-stories more often. Of course, I still love outlines and notes for organizing my plot, but sometimes, when outlines get stale and I feel stuck in a story, changing my routine can clear up new roads to take.
I’ve been reading a lot lately. I love reading because it allows me to fall into another world where everything and everyone in it feels so real. It lets me lose track of time, so I don’t even notice when hours have passed and my mind spins, still lingering in that fictional world. I think that’s what’s so amazing about writing and storytelling: Simple words on a page can make us care for places we’ve never been to and people we’ve never met. It’s like saying goodbye to a friend when the book closes and the story ends.
With the start of my own project, what I’ve found most challenging so far is just that — trying to create characters that feel less like they’re made of adjectives and more of flesh and blood. I first wanted to explore the story of Vietnamese Americans in this project, because I think often in literature, ethnic identity can become the entire defining feature of that character’s identity, erasing any other interesting facets of who they are. I find this often sad and disappointing, as readers are robbed of the chance to gain a fuller perspective of other people and cultures that they may not know a lot about yet.
While working on ideas for these short stories, I’ve already spoken to my grandma and friends for inspiration, but the process isn’t always so easy. Sometimes, I feel ready to write with ideas and characters bouncing around in my head, but when I rush to a computer, my mind goes blank, as if those ideas had already floated away like balloons. To try to hang onto them, I’ve been carrying around a small journal with me everywhere. I seldom write about my day at length in journals, but I’ve actually scribbled and drawn in it a lot lately.
They’re never fully formed thoughts or sentences. I just want to capture moments of possible inspiration from my day: something funny a man said on the bus, an argument between a girl and her mother at Giant Eagle about squash, or a couple of Comcast guys gossiping about other Comcast guys. (I swear I’m not a creep!) And then, when I sit down to write later in the day, I can look back at these pages and find a glimpse of a seed, a character ready to burst free and be heard.
I am from Carol Stream, Illinois — a town actually named after the founder’s daughter, Carol Stream. After Carol fell into a coma due to a severe car accident, her father thought she would never wake up and decided to name the town after her. Miraculously, she did wake up, but found it weird that a town was named after her, so she moved to Phoenix, Arizona. I tell you this not just because I think it’s funny that even the namesake of the town refuses to live in said town, but also because I think it embodies the humble and strange spirit of the place where I grew up.
My town is small, but diverse, with people of many cultures speaking a variety of languages. I grew up speaking Vietnamese at home. I even attended school on Saturdays to learn how to read and write in Vietnamese. It was nightmarish at the time, but now, I’m beyond grateful I did it, since it’s become such a huge part of myself.
I’ve never felt trapped by my small Midwestern town, though my experiences may sound a bit lackluster to many. A big night on the town was eating a soft-serve ice cream cone while sitting on the curb of a Dairy Queen parking lot. It was either that or loitering around the local shopping mall. I often chose ice cream. But still, even to this day, whenever I pass by a Dairy Queen, I can’t help but feel a jolt of nostalgia. Memories of summers without responsibilities come surging back. Tiny adventures are the best, and though slice of life stories may seem boring to others, I find them absolutely beautiful.